Dual Mic Models
Dual Mode in the Sphere plug-in makes possible phase-coherent mixing of multiple virtual mic models from the same physical microphone, before or after tracking. It's also possible to adjust the relative phase alignment of the two mics with the Align control.
Record In Stereo (With One Mic)
With just one Sphere L22 mic, it’s possible to make coincident stereo recordings, and even have different mic models on the left and right channels, using the Sphere 180 plug-in.
Axis Shift
Virtually rotate the axis of the mic to give a more off-axis sound before or after tracking.
IsoSphere™
Microphone isolation filters (also referred to as reflection filters or portable acoustic booths) are a boon to home recordists, but they also impart their own undesirable coloration to the sound, and their effectiveness at reducing reflections and background noise is limited, especially at low to mid frequencies. IsoSphere™ optimizes how the Sphere L22 works together with commonly-available isolation devices—such as the sE Reflexion Filters, Aston Halo, Kaotica Eyeball, and even vocal booths. It enhances off-axis behavior for maximum rejection and modifies frequency response to compensate for unwanted coloration, leading to even better-sounding recordings.
Polar Meter
The Sphere plug-in features a visually informative (and very cool) Polar Meter that dynamically displays the direction and level of sound being picked up by the microphone, as well as the currently selected polar pattern.
Off-Axis Correction™
Create more accurate polar patterns to reduce bleed, room coloration, and susceptibility of feedback before or after tracking. For more information, see the Off-Axis Correction chapter in the Sphere Hardware and Software User Guide.
Low Noise
The microphone hardware has a self-noise level of 7dB-A SPL, well below most vintage microphones and comparable to many of the best modern microphones.
High SPL Handling
The L22 can handle in excess of 140dB SPL before clipping and is remarkably rugged. It won’t be damaged by high SPLs or air blasts as some vintage microphones can be.